Setting sails

2 October – Ymerbukta

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Tall ship Antigua at anchor in Ymerbukta

We left port yesterday afternoon with the motor but put up the sails quickly and fairly flew across the fjord. We helped with the sails – a token effort by the guests. Ropes everywhere, sails pulled up front to back and staysail in the bow. The wind was high and rough and almost everyone felt it. I did well outside but inside was pretty queasy. Eating helped and the food was good. I didn’t eat a lot and went to bed almost immediately.

Someone pounded on the door to say the aurora was visible. Lena (my cabinmate) and I got dressed and went out but there was little activity and after 10 minutes I went back to bed. By the time we went up for the aurora the crew had pulled down the sails and dropped anchor in a quiet arm of the fjord with a wall to protect us from the wind bombing out of the north. The water was calm, and the boat rocked gently for the night.

We did a landing this morning and a hike up the glacier edge. The grays and greens and blues are satisfying and intense. The glacier was growling and grumbling. Thunder came from within the glacier, massive rolling peals as it shifted and creaked into a new position. It calved audibly but we couldn’t see it from where we were, though we watched the wave from the calved iceberg cross the bay and wash up onto the shore.

The landscape is wide open and at the same time constrained within the walls of glaciers and the surrounding mountains. The beach is gravel and sand with gently lapping water. There is a tide, but it seems very small. Black guillemots in their winter attire were on the water and a few purple sandpipers along the beach. Two seals followed us when we first landed; they barked at us.

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Ant-sized humans cross the gravel outwash plain at the foot of Esmarkbreen

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Arctic Circle residents hike along glacier’s edge

 

The Divine Arctic Comedy, Heaven

Heaven       Air      Future

 

Sublimate. Dissipate. Eliminate. Obviate.

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Retreat – Sublimate, v.: to pass directly from the solid state to the vapor state; archaic: to improve or refine, as in purity or excellence. As the world we created spins out of our control, it is time to recant. We know the Past and the Present, they hold no secrets, and no amount of blame or negotiation will change either. As a species watching our suicide drama play out in slow motion, we must withdraw from the feudal and futile, selfish and rapacious, allowing light and air to supplant notions of dominance.

No time – Perhaps I overestimate. The universe, here long before humans began their journey, will remain long past our term. As humans fade into the geologic past, our constructs, physical and metaphysical, will be of no consequence. Like thousands of species before us, we may become a sedimentary layer, or a fossil pressed in rock. Unlike our predecessors, we can choose our course of action. It is not beyond our ken to initiate a new design, accepting global shifts as they occur, choosing to remain a part of the universal configuration rather than apart from it.

Outside the human realm, independent of water and ice, Past and Present, the aurora borealis sways and glows in the Heavens. Indifferent to the vagaries of the human ego, the plasma flow viscerally draws us to join the dance. It is within our power to redirect Present Chaos. Necessity obviates the need for further debate. If we want to know the Future, we must create it, and we must nurture it.

Our path then is this: move toward the light. Collectively overcoming inertia, seeking the light, we can pull the Future out of thin air.

Impetus.

Ascendant, adj.: directed upward

“…real beauty is so deep you have to move into darkness to understand it.” Barry Lopez

The Divine Arctic Comedy, Purgatory

Purgatory    Ice    Present

 

Millennial. Annual. Tangible. Visible.

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Advance – Water became ice. Masses of ice ranged from the north across oceans, continents, and islands; tongues extended from mountain tops to valleys, grinding through walls of stone, depositing sediments via meltwater. Sea level dropped as cold held water in its solid form. Earth’s crust deformed, depressed by the weight of ice, and its rotation shifted as the mass on the north side of the globe held sway.

Our time – Products of geologic time, humans found their way to the far north, ever expanding their range, ever devouring that which they believed to be rightfully theirs. The Cosmos, now in our hands, took a new shape. We moved mountains, tilled bottomlands, mined minerals, metals, and power. We tamed, maimed, and killed animals, plants, forests, and oceans. We harnessed fire and created ice on demand. We built new substances from the elements, exploiting natural structures to suit our desires, turning oil to plastic and coal to heat.

Retreat – Ice becomes water. Glacial ice, pack ice, shore-fast ice, it all melts. Sea level rises; shorelines drown. Our heat does not dissipate, but instead stagnates overhead, trapping us in our effluent. Hurricanes, cyclones, blizzards, forest fire, drought, floods, the Earth we manipulate responds in kind. We hide in our denials, in our superiority, in our arrogance. Our expectation that Earth is ours is flawed. The sun oversees all. Its cycles are unaware of our needs or our existence. It is fire not harnessed.

We are not rulers of Earth, nor conquerors or tamers. We are stewards. Our tenure will be marked not by our great deeds or structures, nor our mass upon Earth’s surface. Rather, we will be remembered for our refuse and that which was lost during our watch. In place of glaciers and polar bears, we leave pit mines and plastic water bottles.

We have agency, and we have created the untenable. A new equilibrium, not yet reached, is imminent. We of the Present, we are in Limbo, Purgatory.

Chaos.

Every empire must fall.

Disintegrate, v.: to lose unity or integrity by or as if by breaking into parts

“Would the last animal, eating garbage and living on the last scrap of land, his mate dead, would he still forgive you?” Barry Lopez

 

 

The Divine Arctic Comedy, Hell

Barbara Crawford, a co-resident on the Arctic Circle, asked me to write three essays to introduce her exhibit opening this June in the Montefalco Museum, Montefalco, Italy. The gallery has three rooms one leading into the next where she is presenting her paintings and sculptures from Svalbard in a version of The Divine Comedy, each room will be introduced by an essay and will follow the themes of Hell, Purgatory, and Heaven. Hell is explored through water and the past, Purgatory as ice and the present, Heaven in air and the future. If you happen to be in Umbria in June, be sure to visit. In the meantime, and with no further delay, here is Part 1, Hell.

 

Hell       Water       Past    

 

Distant. Persistent. Resistant. Recalcitrant.

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Immemorial time – Before there was Europe or Svalbard, the Arctic Ocean or coal, even before there was life, there was primordial soup – a steamy, overheated, water bath that covered the Earth. Whatever you believe about creation or evolution, there are undeniable truths: seafloors spread, mountains rose, life began.

Advance – Fire and brimstone greeted the first water-borne carbon-based biological beings. Across time, continents moved, an atmosphere formed, and life burgeoned. Shapeshifting was the norm, land masses stretched and smashed together; oceans mixed and remixed, and uplifted mountains washed back into the seas. Plants and animals diversified, flourished, lived, and died. Their bodies fell to the earth, to the seafloor, into the future in conglomerations of sediments and carbon reserves.

Mountain chains were spurned by wandering continents, eroded by unceasing weather, and churned by heat and pressure into new forms, into new mountains or no mountains. Carbon was compressed deeper, harder. Pieces changed position or were reworked, but the players remained the same.

Cosmos.

Time immemorial proceeded into the ages of the ancients, pharaohs, empires, and deities. What was once wild and raw and orderly in its state of natural fluctuation became fodder for the human dynasty.

Infrangible, adj.: not capable of being broken or separated into parts 

“Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.” Barry Lopez

 

And the rest of the crew

The people, part 3

Last but not least, this rounds out the cast. Twenty-eight residents and 11 crew members set sail for two weeks on the waters of the North Atlantic. Tight quarters, snowy weather, and a boatful of ideas make for lively times.

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Carson contemplates

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Mary Ellen in the ice field

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Andrea intensely focused

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Rachel in waders

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Lindsay at the rail; Dawn under the veil

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Kristin at leisure

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Nora seeds the Arctic water with ice cubes. Restoration.

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Isaac in the Zodiac

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Barbara C. in the white sea

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The galley crew, Piet, Janene, and Jannah, after dinner calm

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Crew member Alex climbs

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Siegmund with walruses in sight

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David in the middle

 

There are no bit parts

People, part 2

As each person on this trip takes shape in my photos, I realize that they all held leading roles as stars of their own Arctic show.

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Theresa in scale

 

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Stina by glacier light

 

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Christina belonging to the surge glaciers

 

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John ponders exposure

 

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Åhsild on watch

 

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Kim ready to climb, photo-bombed by Captain Mario

 

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Barbara L. at a standoff with an iceberg

 

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Shirley listening

 

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Second Mate Annet keeps order on deck

 

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Emma, the rear guard

 

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Guide/guard Kristin scouts

The characters take the stage

A few characters

As a field biologist, I often said there was a reason I worked alone in the woods for so many years. Not quite a misanthrope, I don’t suffer fools lightly – though I spent many years as a fool myself, and fooling myself. Two weeks on a ship full of people from which your only escape is to get into a Zodiac with the same people and spend time on shore again with those same people, oh, that took some mental wrangling.

In the end, the people were as much a part of the success of this trip as the location. For someone who rarely takes photos of people, this group enthralled me. The crew each knew enough for twenty people. The crew and residents both were not diverse but rather were infinite in their stories, their articulation via a chosen medium, their creativity, and openness to the possibilities of art, design, expression, and life.

In the order taken

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Sarah, the lead guide, and Nemo, the lead dog, above Esmarkbreen

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Martina and Georgia attempt to see-saw

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Lena blows bubbles

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Max paints Arctic landscapes in the dining room

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Max’s painting

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Mario, the captain, with roasting fork out of hand, explaining the boat

 

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Julie waves for the camera

 

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Offer watches the sky from the Zodiac on deck

 

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Dawn and Bonnie out of the wind against the wheelhouse

Dog parking at the end of the trail

When the season’s over

There are fewer than five miles of roads on an island more than 500 miles from the nearest landmass. At the end of the season, ride your snowmobile to the edge of the remaining snow and walk away. When you return in the fall, it will be there. Maybe you got close enough to town to store your bike with the snow machine. Just lean it against the snowmobile. It’s fine.

Stopping in for a beer at the Coal Miner’s? Great. Park your dogs out front. Take off your shoes and leave your gun at the door.

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A lone snowmobile stands at glacier’s edge and away from the pack conveniently camouflaged as rocks (lower left)

 

Alaska, animals, Antigua, Arctic, Arctic Ocean, autumn, climate change, coal, Esmarkbreen, glacier, gratitude, hiking, ice, jigsaw, Longyearbyen, mine number 2, mines, mining, Norway, Oslo, perimeter, photography, puzzle, Recherchebreen, Recherchefjorden, Roads, scale, scree, slopes, snow, Spitsbergen, Svalbard, tall ship, talus, The Arctic Circle, travel, walkabout, water, west, winter, words, world, Ymerbukta

Ready to head back out

 

Alaska, animals, Antigua, Arctic, Arctic Ocean, autumn, climate change, coal, Esmarkbreen, glacier, gratitude, hiking, ice, jigsaw, Longyearbyen, mine number 2, mines, mining, Norway, Oslo, perimeter, photography, puzzle, Recherchebreen, Recherchefjorden, Roads, scale, scree, slopes, snow, Spitsbergen, Svalbard, tall ship, talus, The Arctic Circle, travel, walkabout, water, west, winter, words, world, Ymerbukta

Longyearbyen storage unit

 

Alaska, animals, Antigua, Arctic, Arctic Ocean, autumn, climate change, coal, Esmarkbreen, glacier, gratitude, hiking, ice, jigsaw, Longyearbyen, mine number 2, mines, mining, Norway, Oslo, perimeter, photography, puzzle, Recherchebreen, Recherchefjorden, Roads, scale, scree, slopes, snow, Spitsbergen, Svalbard, tall ship, talus, The Arctic Circle, travel, walkabout, water, west, winter, words, world, Ymerbukta

Dog Parking at the Coal Miner’s

A few billion-piece jigsaw puzzle

You’ll need the box

These slopes surround Longyearbyen. A jumble of billions of pieces of talus could, with a bit of patience and a lot of time, be put back together. Rock caps give way to steep slopes and mounds of coal mine tailings stretch across the valley floor, all creeping toward the fjord. Rock slides etch the ridges with geometric patterns that stand out under light snow cover. Ridge after ridge stands against the sky, crumbling into the earth.

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A billion pieces…

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A few billion more…

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Maybe a bigger table…

Svalbard, words, Recherchebreen, scale, perimeter, Recherchefjorden, Oslo, Norway, snow, winter,Svalbard, Spitsbergen, Longyearbyen, The Arctic Circle, Arctic, Arctic Ocean, Esmarkbreen, Ymerbukta, ice, glacier, tall ship, Antigua, Longyearbyen, talus, slopes, scree, coal, mines, mining, jigsaw, puzzle, mine number 2

Or the floor

 

 

Day by day

The beginning

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Afternoon light and cloud shadows play on snowy mountains.

As you may know, in October 2018, I spent three weeks in the Norwegian archipelago of Svalbard as a member of The Arctic Circle, an annual expeditionary residency program. Sailing from the town of Longyearbyen on the three-masted Barquentine ship, Antigua, we explored the coast and fjords, the light, textures, sounds, and landscapes, following the western edge of Spitsbergen, the largest and only permanently populated island of the archipelago, to the south and to the north and back again to Longyearbyen. In between, we motored; we sailed, putting up and pulling down sails; we ate and laughed; we heard stories of our shipmates, the residents, and the crew; we explored on foot, in the Zodiac, in the ship; we saw reindeer and seals, a handful of birds, polar bear tracks and snow angels; we heard glaciers; we watched the sun revolve around the horizon morning to night and again; we saw the aurora; it snowed, it rained, it was cold, windy, foggy, and raw; it was sunny, blue, and gorgeous; the water was calm and it was not; and day by day, we lost daylight as we revolved our way closer to the Polar Night and winter. And day by day, we lost, in the smallest modern human-pampered-on-a-ship way, what it meant to be separate from the landscape.

There is a lot to tell in this tale. And there is a lot that I cannot express, neither through words nor in my photographs. I kept a journal, of course, but it is perfunctory. I was too enthralled and engaged with the place and the people, too overloaded with the intensity of the space. My introverted anti-social self was in way over my head. Finding calm headspace to reflect and express the experience did not happen for me on board. And writing onshore in the cold and wet, well, many of you know my handwriting. In the months (!) since I meandered in and out of my photos, racing through them initially to share what may be of interest to the rest of the residents and crew, I bogged down when it came time to express the meat of the place in my images.

Svalbard, words, Recherchebreen, scale, perimeter, Recherchefjorden, Oslo, Norway, snow, winter,Svalbard, Spitsbergen, Longyearbyen, The Arctic Circle, Arctic, Arctic Ocean, Esmarkbreen, Ymerbukta, ice, glacier, tall ship, Antigua

Arctic geometry: angles, triangles, and plane plains.

Via email, I lamented to my sweet friend Linda that I was not keeping up with my blog, ideas were percolating but I was reluctant to put them on paper or into the ether. Her response, “my sense is that you saw too much, know too much and hurt too much. Your slowness in letting it out is, I believe, more kind to us who think it’s going to hurt us too much.”

My lazier self says, yes, I am being kind. My practical self knows not where to begin or how to convey the mesmerizing passage of time and light in a place known for cold and dark. And, as this place passes from our memory in the years of melting ahead, I will mourn, as with all things, not for its passing but for my loss. For our loss. For all those who will not know it and who will wonder at its very existence. Like the miles-long herds of bison and the days-long flights of passenger pigeons, the Arctic is fading.

I don’t believe that we alone are entirely to blame, the planet has long worked in its own mysterious ways, but in no way have we helped. Exploiting everything we could for centuries, erasing landscapes for coal and oil, eliminating people and their ways of life, executing populations of fish and animals for our endless, grinding consumption, we certainly carry the brunt of the shame.

And so, I start the only place I can, with my experience and impressions. Like the Cooper Island series previously posted here, over the coming months I will share my journal, photos, and thoughts. I hope you’ll tag along.

Svalbard, words, Recherchebreen, scale, perimeter, Recherchefjorden, Oslo, Norway, snow, winter,Svalbard, Spitsbergen, Longyearbyen, The Arctic Circle, Arctic, Arctic Ocean, Esmarkbreen, Ymerbukta, ice, glacier, tall ship, Antigua

Pastels meet mountains and sea.

The Road not Taken Enough