
Slow assimilation
It has been a long slide from Africa to October – at least the length of a giraffe’s neck.
A few photos to stem the tide… I won’t promise soon, but sometime, there will be more for you here.
In the meantime, a little scale…
It has been a long slide from Africa to October – at least the length of a giraffe’s neck.
A few photos to stem the tide… I won’t promise soon, but sometime, there will be more for you here.
In the meantime, a little scale…
My gear is mostly clean and stored now. A substantive layer of red grit has been rinsed from the bathtub after scrubbing boots, duffel, and backpack. I am getting used to the sun being in the southern sky again. My hands no longer look like worn stone and I seem to have finally lost the sand in my teeth after face-planting on the downslope of the famous red dunes. This was not an easy trip, long days, difficult roads, heat, cold, wind, and dust.
What’s the difference between this and fieldwork in New Mexico?
Space, time. People. Attitudes. Beliefs. Distances, geographic and human. Colors. Textures. The light. Elephants. Hyenas and lions.
My camera stopped working early in the trip. Although disappointed and frustrated by the sudden lack of this visual extension of myself, it gave me permission to see. Instead of looking quickly and then taking photos, I watched the landscape; I observed the animals. I saw more and saw it more viscerally. I picked up my cell phone to take a photo and realized the futility of trying to capture something so distant and obscured, or so intimate and detailed, and put it down again. Slowly shifting away from the thought that poor resolution was better than none.
I have much to process, the photos I did take with my camera and phone, and the images my head holds. These latter are somewhat out of order and are filtered through a light I can’t recreate on a different continent, with colors faded and intimacy lost.
Here are a few landscapes from South Africa and Namibia before the camera quit.
More to come. Stay tuned.
This spring, I entered one photo in the annual National Audubon Society photography contest. Of almost 10,000 photos entered, my photo was selected as one of the Top 100.
I’m super excited. Yet… I don’t know how to celebrate this – Suggestions, anyone?
See all of the Top 100, as the introduction says, “in no particular order” here: The 2022 Audubon Photography Awards: The Top 100
And the winning photos here: The 2022 Audubon Photography Awards: Winners
I invite you to see my other work here: Tamara Enz
Hooray!
After months and years of drought, the rains have come. With them, the desert is green and the flowers begin.
Textures, colors, grasshoppers, darkling beetles, and cactus; a bull leaves a dry water hole; starving horses move to a water tank while vultures circle overhead. Drought drags on, fire rages, and summer monsoons seem far away.