2018 in retrospect, Part II
Part II
An adventure
An adventure
Each year I put together a dozen or so photos that describe the year past. This year I have an extra year’s worth of photos from Svalbard so I am presenting them in two parts. I hope you enjoy them.
The year stateside.
One early autumn afternoon, toward the end of The Arctic Circle residency, many of the residents and crew were on deck pulling down the sails from our morning sailing, enjoying the sun and the views, painting, and chatting. The lead guide, Sarah, came out of the crew quarters, walked directly across the deck to the gunwale gate, opened it, and stepped off the side of the ship. On a day that probably had not risen above freezing, she jumped into the Arctic Ocean. I saw this happen. She was purposeful and composed. And, I thought, “Why did she do that?”
She was entirely encased in a red survival suit and wearing a life vest. Her face, with rosy cheeks and a few wildly curly locks of hair, was framed in red. John, standing next to me, yelled, “Man overboard” and pointed to her in the water, as we were instructed to do at some distant time in the past.
Everyone on deck scrambled, the Zodiac was lifted and launched, the second mate and another guide jumped in and off they went. By now, only a minute or two later, Sarah had drifted a substantial distance from the ship. The ship turned hard to when the alarm went up but the currents and the wind took her away. I watched with my binoculars. John held his position, not looking away from Sarah’s. She bobbed in the waves, floating easily, and just as easily disappearing into the swells and into the low-angled sunlight. As John later pointed out, it was probably the most peaceful eight minutes of her entire trip with us.
The Zodiac reached her, and the two women began maneuvering her deadweight into the boat. It took a couple of attempts to gain a solid hold (and why don’t survival suits have handles built in?) before they were able to slide her over the Zodiac’s tubing and onto the floor. They returned to the ship and lifted her out. A drill that required eight minutes, start to finish.
In the Arctic Ocean, two minutes means near certain death. For a ship underway, in heavy seas or the Arctic dark, two minutes is an impossibility. For a crew new to each other, under reasonably controlled circumstances, eight minutes was a good trial.
The climate change alarm went off long ago. The global survival suit, a tremendously thin layer of atmosphere between Earth and the universal void, has a few leaks. We’ve long known this. S
While many people stand around pointing, a handful more are scrambling to reduce emissions, decrease resource extraction, and increase a range of efficiencies. We can’t turn the whole planet hard to, or launch a Zodiac to drag floating carbon back to Earth.
Whether or not you believe in climate change, whether the climate change I believe in is caused by human-made CO2 or fluctuations in solar radiation, it is hard to deny that Earth is changing. Storm seasons are shifting, intensity, duration, and total numbers increasing. Droughts and floods are deepening, fire seasons extending, desertification encroaching. Glaciers are melting and pack ice is not forming. Animal ranges are expanding and contracting to retreat from or fill in newly (in)hospitable territory. Some creatures are disappearing entirely; waters are too warm, too acidic, too stagnant. Parasites and diseases previously kept in check by heat/cold/ water/drought are rampaging through populations that were once better able to withstand a seasonal, rather than a year-round, onslaught.
In reality, it doesn’t matter what we believe. The Earth is in rapid motion in uncharted territory.
My recommendation is, get the crew together and run a few emergency drills. We need the practice.
Not known for my technical skills or my use of cutting-edge technology, I found some photography challenges in Svalbard. The cold, the instant fog-up when entering the ship cabin (which opened directly onto the always-steamy galley), low light, great distances, ship motion, focusing while wearing mittens (not to mention shooting while wearing mittens), snowfall, rain, bow spray, and wind along with a host of computer program and storage space issues left me reeling with the feeling that many of my photos would be utter failures. There were no second chances; ships keep moving and the sun never really rises.
What I didn’t expect was some of these problems contributing to more interesting photos. The pixilation caused by low light, a zoom lens, and a high ISO creates the illusion of watercolor in some. Others appear as line drawings, pastels, or Suminogashi prints. The photos have more texture and less detail. Sharp edges give way to soft brushstrokes and smudged impressions.
My analytical, sharp-edged mind concedes; maybe the challenges added up to brilliant success in an unexpected form.
The post-fire-season fires rage in California not far south of where I am working at my desk. There is smoke in the air despite it being November. It is daylight from 0715hr to 1645hr. There is a waning moon, the mornings are frosted, the days full of sun. Where are the glaciers?
Svalbard is an experience scrambled in my brain, the light and time, the landscape, people, and water, have no edges, no differentiation. They are fluid, bleeding one into the other. My method of understanding seems to be via deconstruction. I look across my photos, writing, and thoughts for small things I can grasp — details, colors, scale. I hope the whole will reveal itself slowly in the shades of wonder it deserves.
In the meantime, I’m meditating on a few Svalbard blues.