Lounging at home

Looking like an alien,  an anemone lounges at home in Deception Pass State Park, Washington.

Deception Pass, Washington, anemone
Sea anemone, sea alien, Deception Pass, Washington

 

Photographs Need a Life too.

“My pictures have seen the world; printed in National Geographic, they get around. Dentist offices everywhere, barbershops in Bhutan. You know.

But for all their connections with the real world, photographs too often lead disconnected lives. It is as if, after their moment of creation, they go off to live in a foreign country. They talk to the wider world, spread instantly across the planet, but with the folks back home, where they were born, not so much. Sometimes they act like children estranged from their parents, all links severed with the real world where they were born.”

Jim Richardson in A Long Love Affair With the Scottish Isles, in Pictures 

 

This is not my hope. Rather, as Jim Richardson goes on to say in his essay, I want my photos to have a life. Too often people live in a place that they don’t really see or they visit a landscape that is unfamiliar and see only what they came to see – the interstate, a specific trail, or paddle route. I want my photographs to convey the intrinsic value of these landscapes and the beauty that may not be readily apparent. I want the connections between people and wild places to be always fresh and strong with the hope that more every day life decisions are informed by the need for wilderness. No estranged children here, please.

Colorado, Dinosaur National Monument
Cottonwoods dwarfed by the landscape

See Jim Richardson’s essay here:  http://proof.nationalgeographic.com/2016/04/05/a-long-love-affair-with-the-scottish-isles-in-pictures/?utm_source=NatGeocom&utm_medium=Email&utm_content=pom_20160410&utm_campaign=Content&utm_rd=15302027

The usefulness of nothing

Cooper Island fog
Cooper Island fog

We put thirty spokes together and call it a wheel;

But it is on the space where there is nothing that the usefulness of the wheel depends.

We turn clay to make a vessel;

But it is on the space where there is nothing that the usefulness of the vessel depends.

We pierce doors and windows to make a house;

And it is on these spaces where there is nothing that the usefulness of the house depends.

Therefore just as we take advantage of what is, we should recognize the usefulness of what is not.         Dao de jing

29 July 2000, Cooper Island, Alaska

I’ve been walking since I got up this morning, and eating, of course. The wind and rain of the other day finally passed. Yesterday was foggy and freezing; everything was covered with a thin sheet of ice. The fog lifted briefly in the afternoon and it was warm. This morning when I awoke the air was absolutely dead calm, the fog as thick as it has ever been. And so, I walked.

There is silence and stillness to this fog world that is unmatched. Even intensely cold days in the north woods have sound and a feeling of motion: the creak of ice laden branches as they sway under their burdens, the crunch of sub-zero-temperature snow underfoot. This Arctic fog stillness is absolute.

To stand on the edge of the water and look into the gray void created by the sky and water uniting in color and texture is to truly experience sensory deprivation. Except for a few birds, my footsteps, and the almost imperceptible wash of water on the shore there is no sound, even these few things you must work to hear. All sense of sight is gone; the utterly calm water perfectly mirrors the sky, eliminating any evidence of a boundary between them. Without an automatic brain override of the fog, I would think I was losing my sight.

Black guillemots on ice floe

Now and then, on the lagoon side of the island, a dark spot that is a loon or a long-tailed duck will break free of the fog and show itself, giving definitive life to the water and proving that there is more than one dimension. On the ocean side, ice floes loom, moving imperceptibly; they often calve. The sound, that distorted fog sound, travels across the water. In the ocean there is no change, no motion, and no acknowledgement by the water or the air that the ice balance has shifted. Only silence once again.

Occasionally a red-throated loon gives its eerie, raspy, almost desperate call. No loon is in sight but I know it is among the ice floes, bill pointed to the foggy sky, head cocked to one side, listening into the silence for an answer. Listening for any sound at all, some proof that the rest of the world still exists. Is it only in our imagination that there was once wind and motion, sounds of water washing against the shore, or the persistent calls of numerous other birds?

I attempted many photos of this deprivation, some hard fast object in the foreground with the limitless depths of fog-gray-void behind. How does one record the lack of something to see? I’m not sure. If there is anything in these photos, any depth or contrast, any color, any motion, they will be stupendous indeed. In many ways this is the essence of my purpose here, to record that which is not plainly visible, to show that despite this seeming void, life thrives just out of view, and that there is usefulness in that which we cannot see and do not know.

Cooper Island camp
Cooper Island camp